Bede Patterson Music
“He played the pipes like a violin, with passion and pathos…”Edinburgh Music Review
About
Expanding the artistic and cultural reach of Scottish traditional music.
Bede Patterson is an Australian-born, Scotland-based bagpiper, composer, educator, and researcher whose work is dedicated to expanding the artistic and cultural reach of Scottish traditional music. Now based in Glasgow, Patterson has built an international profile through performance, academic inquiry, and creative collaboration, positioning himself at the forefront of a new generation of musicians redefining the possibilities of the Great Highland Bagpipe.
A graduate of the Royal Conservatoire of Scotland, where he earned a First-Class Honours Bachelor of Music degree in Traditional Music (Piping), Patterson combines technical mastery with a strong intellectual foundation. His academic work explores innovation within tradition, with particular focus on the evolution of bagpipe music.
As a performer, Patterson’s career spans some of the world’s most prestigious stages and festivals. In 2024, he appeared at the Aspen Music Festival in Colorado with the National Youth Pipe Band of Scotland, collaborating across genres in both chamber and orchestral settings. The same year, he debuted his ensemble, The Nexus Project, at Glasgow’s Piping Live! Festival as part of its Ceol Nua programme, showcasing innovative approaches to new music for bagpipes. In 2025 he was invited to direct and participate in a performance of Julia Wolfe’s Lad for the BBC Philharmonic in Manchester and later that year appeared as a guest artist in William Barton’s solo concert at the Edinburgh International Festival.
Patterson is an accomplished competitive piper, having performed multiple times at the World Pipe Band Championships, with The Pipe Band Club Australia. His international touring experience includes appearances across Europe and the UK at major Celtic and traditional music festivals. Earlier in his career, Patterson performed extensively in Australia, including appearances at the Sydney Opera House and collaborations with major artists such as Jimmy Barnes. He has also contributed to commercial recordings, including ABC Classics releases and televised productions with The Wiggles and ABC’s Play School, demonstrating a broad appeal across audiences and formats.
Alongside his performance career, Patterson is a committed educator and mentor. He has taught in both Australia and Scotland, including at The Scots College in Sydney and through the National Piping Centre in Glasgow, where he delivers workshops, private tuition, and performances.
Patterson’s practice extends beyond performance into craftsmanship and consultancy. As an apprentice with Begg Bagpipes, he develops bespoke instruments using traditional and locally sourced materials, deepening his understanding of the instrument’s physical and acoustic properties. His expertise has also been sought in film, where he has provided historical consultancy on the accurate representation of 18th-century Scottish music.

Bede Patterson, Dean Garrity, Ewan Johnston, Roan Anderson.
A genuine intersection of jazz, classical, and traditional music.
The Nexus Project is an exploration of contemporary and ancient Highland Bagpipe music through original compositions and arrangements led by Bede Patterson. Surveying the inextricable links between early and modern bagpipe performance and repertoire, The Nexus Project is an exciting addition to the world music movement – a genuine intersection of jazz, classical, and traditional music.
The Nexus Project features the creative and experimental contributions of Bede Patterson (bagpipes and voice), Dean Garrity (soprano saxophone), Ewan Johnston (keys and synths), and Roan Anderson (drums).
Their debut album ‘Glaisvair’ features special guest musicians which is a hallmark of the Nexus ethos – the bringing together of different musical voices from around the world. Guest artists include Ross Ainslie (low whistle), William Barton (didgeridoo), and Vahideh Eisaei (qanun).
Ross Ainslie is one of Scotland’s finest traditional musicians and composers, renowned for his highly acclaimed solo material playing pipes, whistles and cittern, and as a skilled performer and prolific collaborator. William Barton is a composer, producer, multi-instrumentalist and vocalist, he is widely recognised as one of Australia’s leading didgeridoo players and composers. Vahideh Eisaei is an Iranian-Australian artist, Qanun player, composer, and singer whose work is deeply rooted in the richness of her Persian heritage.

Recordings
Glaisvair
GLAISVAIR is an exploration of the connection between people, place, and sound. The album is rooted in the language of Scotland’s Gaelic piping tradition, piobaireachd, yet shaped by global influences and collaborations. It reflects on our relationship with the natural world and with one another. Throughout all of these pieces, tradition and improvisation meet, voices intersect, and contrasting musical identities converge, forming a shared space, a nexus.
Tracklist
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Prelude (Bede Patterson)
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The Old Sword: Lament for the Old Sword (Trad. arr. Bede Patterson) / Field of Hope (Fraser Fifield) / The Great White (Ross Ainslie)
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Improvisation (Bede Patterson & William Barton) / Lament for the Children (Pàdraig Mòr MacCrimmon)
Featuring William Barton didgeridoo -
Piobaireachd Saltatoria (Bede Patterson)
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Dastirum (Bede Patterson)
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Karabach (Martyn Bennett)
Featuring Vahideh Eisaei qanun -
Arcadia (Bede Patterson)
Featuring Ross Ainslie low whistle -
Glaisvair (Bede Patterson)
The Nexus Project
Bede Patterson Highland bagpipes
Dean Garrity saxophone
Ewan Johnston keyboards
Roan Anderson drums
Track 3: Thomasina Adamson violin • Megan Warnock double bass
Videos
Performances and film.
Reviews
“Scotland has a long history of sending music and cultural traditions outward, landing Gaelic song, dance, fiddle music and pipe tunes in the far corners of the earth. Bede Patterson has returned to Scotland carrying that tradition, and his innovative music composition brings a fresh perspective. This kind of tradition-based innovation coming from afar is part of what makes the Scottish music scene so exciting.”Iain Macdonald (Pipes Drums Magazine)
Piping Live Festival 2024
“There was a cherry on this richest of pies. To finish, William Barton declared he would be joined by another instrumentalist. His name was Bede Patterson. Slight confusion ran through the audience. On walked a slim kilted young piper and began to play. But not as one is used to hearing. He played the pipes like a violin, with passion and pathos, bittersweet tones reminiscent of the Balkans. Barton picked up a third didgeridoo, keyed for the pipes and side by side, they played their hearts out.”Tina Moskal (Edinburgh Music Review)
Edinburgh International Festival 2025
Contact
Booking, press, lessons and project enquiries.
For all enquiries, use the form on the right.
Photography: Callai Watson